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"Why, of course; of course. One can see that at a glance. And if it were otherwise the whole story would be ruined,—would instantly become tame and commonplace,—would be, indeed," says Lady Lilias, with a massive wave of her large white hand, "I regret to say, an occurrence of everyday life. The singular beauty that now attaches to it would disappear. It is the fact that his passion was unrequited, unacknowledged, and that yet he was content to sacrifice his life for it, that creates its charm.",

Lady Rodney, too, is quite happy. Everything has come right; all is smooth again; there is no longer cause for chagrin and never-ending fear. With Paul Rodney's death the latter feeling ceased, and Mona's greatness of heart has subdued the former. She has conquered and laid her enemy low: without the use of any murderous force the walls have fallen down before her, and she has marched into the citadel with colors flying.,

"Ah! Then you refuse to answer me," says Mona, hastily, if somewhat wearily.,

Mīka´pi was glad. Here had come to him one of the tribe he was seeking, yet he thought it better to wait for a time before fighting him; so when, in signs, the Snake asked Mīka´pi who he was he replied, by making the sign for paddling a canoe, that he was a River person, for he knew that the Snakes and the River people, or Pend d'Oreilles, were at peace. Then the two lay down for the night, but Mīka´pi did not sleep. Through the long night he watched for the first light, so that he might kill his enemy; and just at daybreak Mīka´pi, without noise, strung his bow, fitted an arrow to the string, and sent the thin shaft through his enemy's heart. The Snake half rose up and fell back dead. Mīka´pi scalped him, took his bow and arrows and his bundle of moccasins, and went out of the cave and looked all about. Daylight had come, but no one was in sight. Perhaps, like himself, the Snake had gone to war alone. Mīka´pi did not forget to be careful because he had been fortunate. He travelled only a little way, and then hid himself and waited for night before going on. After drinking from the river he ate and, climbing up on a high rock wall, he slept.

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"I can't," faintly.,

Thus adjured,—though in truth he requires little pressing, having been devoured with a desire since early dawn to reveal the hidden knowledge that is in his bosom,—Geoffrey relates to them the adventure of the night before. Indeed, he gives such a brilliant coloring to the tale that every one is stricken dumb with astonishment, Mona herself perhaps being the most astonished of all. However, like a good wife, she makes no comments, and contradicts his statements not at all, so that (emboldened by her evident determination not to interfere with anything he may choose to say) he gives them such a story as absolutely brings down the house,—metaphorically speaking.,

"Because 'the miserable hath no other medicine but only hope,'" quotes she, very sadly.,

There is a pause. In shrinking doubt she awaits the moment that shall make him take advantage of her words. But that moment never comes. In vain she waits. At length she lifts her eyes, and he, flinging the parchment at her feet, cries, roughly,—